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HOUMAN BAREKAT

Houman Barekat is a writer and critic based in London, and founding editor of Review 31. He reviews for The Guardian, Financial Times, The Irish Times, the Times Literary Supplement, The Spectator, The New Statesman, Literary Review, and The London Magazine. He is co-editor (with Robert Barry and David Winters) of The Digital Critic: Literary Culture Online (O/R Books, 2017). 
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ARTICLES

“No Demons Amongst Us”: On Simon Lancaster’s “You Are Not Human: How Words Kill”

“No Demons Amongst Us”: On Simon Lancaster’s “You Are Not Human: How Words Kill”

Houman Barekat looks closely at “You Are Not Human: How Words Kill” by Simon Lancaster.

Get Lots of Happenings: On Mike Wendling’s “Alt-Right: From 4chan to the White House”

Get Lots of Happenings: On Mike Wendling’s “Alt-Right: From 4chan to the White House”

Houman Barekat considers “Alt-Right: From 4chan to the White House,” an analysis of far-right internet culture by Mike Wendling.

A Messiah-cum-Surrogate-Dad for Gormless Dimwits: On Jordan B. Peterson’s “12 Rules for Life”

A Messiah-cum-Surrogate-Dad for Gormless Dimwits: On Jordan B. Peterson’s “12 Rules for Life”

Houman Barekat questions “12 Rules for Life: An Antidote to Chaos” by Jordan B. Peterson.

“Tiny Paragraphs Pulsed in His Veins”: On Johannes Urzidil’s “The Last Bell”

“Tiny Paragraphs Pulsed in His Veins”: On Johannes Urzidil’s “The Last Bell”

Houman Barekat is struck by “The Last Bell,” a collection of stories by German Bohemian writer Johannes Urzidil.

“The Emotion-Recollected-in-Tranquility Racket”: On J. D. Daniels’s “The Correspondence: Essays”

“The Emotion-Recollected-in-Tranquility Racket”: On J. D. Daniels’s “The Correspondence: Essays”

Houman Barekat journeys through “The Correspondence: Essays” by J. D. Daniels.

The Whole Point About War: On Lara Pawson’s “This Is the Place to Be”

The Whole Point About War: On Lara Pawson’s “This Is the Place to Be”

Houman Barekat on journalist Lara Pawson's memoir, "This Is the Place to Be."

Breaking Godwin’s Law: Stoddard Martin’s “Monstrous Century”

Breaking Godwin’s Law: Stoddard Martin’s “Monstrous Century”

Houman Barekat appreciates the old-school rigor of “Monstrous Century: Essays in The Age of the Feuilleton” by Stoddard Martin.

Vulgar and Unsightly: Adrian Nathan West’s J’accuse Against Extremely Degrading Pornography

Vulgar and Unsightly: Adrian Nathan West’s J’accuse Against Extremely Degrading Pornography

Houman Barekat delves into “The Aesthetics of Degradation” by Adrian Nathan West.

The Internet-y Novel

The Internet-y Novel

A cautionary tale of love and internet celebrity.

The Thief, The Friend, His Wife, and Her Lover

The Thief, The Friend, His Wife, and Her Lover

Adulterous prurience served cold.

Joseph Roth, “The Hotel Years”

Joseph Roth, “The Hotel Years”

Joseph Roth’s work is so intimately preoccupied with modernity that no account of the cultural history of the era would be complete without it.

Nabokov’s Geographies

Nabokov’s Geographies

Houman Barekat on Robert Roper's "Nabokov in America: On the Road to Lolita."

Their Silver Lining: Nazi Genocide and Eastern Europe

Their Silver Lining: Nazi Genocide and Eastern Europe

FROM THE BALTIC to the Black Sea, Slavic anti-Semitism was already well entrenched by the time the Nazis took it upon

Circulation Jerks: On the Book as Fetish Object

Circulation Jerks: On the Book as Fetish Object

THERE HAS NEVER BEEN a more apt time to write a book about books. If the rise of digital media hasn&

Everything Is Fluid

Everything Is Fluid

TWENTY-SEVEN PAGES INTO The Eye (1965), Vladimir’s Nabokov’s narrator, hitherto a picture of sardonic indifference, suddenly goes all political

The Read-Write Generation

The Read-Write Generation

A 2008 REPORT BY the Washington-based Council on Library and Information Resources predicted that "the library of the 21st century will

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