Partly Truth, Partly Fiction: 2019 Cinema Revisits the Manson Family
Chloe LizotteChloe Lizotte considers the Manson depictions from the summer of 2019, asking what contradictions of representation and historical memory they share.
Coming Soon
Chloe Lizotte considers the Manson depictions from the summer of 2019, asking what contradictions of representation and historical memory they share.
On “Inside Killjoy’s Kastle,” a look at a lesbian haunted house art project as well as the anti-trans clouds that haunt stereotypes about lesbian identity.
Paul Morton reviews "Cons De Fée: The Erotic Art of Wallace Wood," out now from Fantagraphics.
Annie McGreevy on “Hustlers,” Edward P. Jones’s “The Known World,” a failed TV project, and the hustles that sustain us under capitalism.
Bean Gilsdorf joins the chorus of women speaking about their anger, so that they can do something about it.
Christopher Shinn talks to Jeremy O. Harris about his recent plays “‘Daddy’” and “Slave Play.”
Fatigue and anger, vitamins, of being born at some remove from Sunday, leaving any world untouched, I guess I sing. But
In Studio Interviews Molly Ringwald on "When it Happens to You" Skylight Reading Series: Episode 5: Adrian Tomine discusses his "
Fatigue and anger, vitamins, of being born at some remove from Sunday, leaving any world untouched, I guess I sing. But
In Studio Interviews Molly Ringwald on "When it Happens to You" Skylight Reading Series: Episode 5: Adrian Tomine discusses his "
A VIDEO REVIEW by Clara Mokri.
Cecil Castellucci talks to LARB about reading and writing Young Adult fiction, and about the very good advice she got from
Clara Mokri, one of our student correspondents, on the book and the film.
Ellen Wayland-Smith reviews Rachel Monroe’s “Savage Appetites: Four True Stories of Women, Crime, and Obsession.”
The teen film “Adam” turns complex issues of trans visibility into a vacuous sex farce.
Joe Osmundson lyrically deploys circuit metaphors to describe how new anti-virals are re-wiring the gay dance circuit in post-AIDS New York.
Jenny Brown responds to Meredith Goldsmith, Anna Kryczka, and Catherine Liu’s “Anti-Labor Politics,” and the writers respond to her criticism.