Partly Truth, Partly Fiction: 2019 Cinema Revisits the Manson Family
Chloe LizotteChloe Lizotte considers the Manson depictions from the summer of 2019, asking what contradictions of representation and historical memory they share.
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Chloe Lizotte considers the Manson depictions from the summer of 2019, asking what contradictions of representation and historical memory they share.
Annie McGreevy on “Hustlers,” Edward P. Jones’s “The Known World,” a failed TV project, and the hustles that sustain us under capitalism.
Constance Valis Hill reviews Bat-Sheva Guez’s hypnotic new dance film.
Megan Ward looks at the 2018 film “Museo,” starring Gael García Bernal, and contemporary debates around museum repatriation and cultural memory.
Chang-Min Yu reviews Joseph Jonghyun Jeon’s volume on Korean cinema and its rendering of global economic logics through film language and narrative.
The teen film “Adam” turns complex issues of trans visibility into a vacuous sex farce.
Fatigue and anger, vitamins, of being born at some remove from Sunday, leaving any world untouched, I guess I sing. But
In Studio Interviews Molly Ringwald on "When it Happens to You" Skylight Reading Series: Episode 5: Adrian Tomine discusses his "
Fatigue and anger, vitamins, of being born at some remove from Sunday, leaving any world untouched, I guess I sing. But
In Studio Interviews Molly Ringwald on "When it Happens to You" Skylight Reading Series: Episode 5: Adrian Tomine discusses his "
A VIDEO REVIEW by Clara Mokri.
Cecil Castellucci talks to LARB about reading and writing Young Adult fiction, and about the very good advice she got from
Clara Mokri, one of our student correspondents, on the book and the film.
Emily Janakiram rethinks our romantic attachments to the “love stories” of John Cleland’s “Fanny Hill” and Jane Austen’s “Pride and Prejudice.”
Professor and programmer Maggie Hennefeld explores the world of forgotten silent film actresses and archivists’ struggles to rediscover lost film art.
LARB presents “Real Life Rock Top 10,” a monthly column by cultural critic Greil Marcus.