The Customer Is Wrong: The Commodity and the Work of Art
Adam Theron-Lee RenschAdam Theron-Lee Rensch reviews Nicholas Brown’s “Autonomy: The Social Ontology of Art under Capitalism.”...
Adam Theron-Lee Rensch reviews Nicholas Brown’s “Autonomy: The Social Ontology of Art under Capitalism.”...
While we crave traditional components like complexity, spectacle, and closure, we experience those things only as an endless flow of branded content....
What sort of model — for narrative, for business — does the Marvel Cinematic Universe offer?...
Julian Rosefeldt’s "Manifesto" declares itself as a series of canny thefts....
Dixa Ramírez D’Oleo digs up Mary Lambert’s original 1989 film adaptation of the Stephen King novel “Pet Sematary.”...
Fatigue and anger, vitamins, of being born at some remove from Sunday, leaving any world untouched, I guess I sing. But ...
In Studio Interviews Molly Ringwald on "When it Happens to You" Skylight Reading Series: Episode 5: Adrian Tomine discusses his "...
Fatigue and anger, vitamins, of being born at some remove from Sunday, leaving any world untouched, I guess I sing. But ...
In Studio Interviews Molly Ringwald on "When it Happens to You" Skylight Reading Series: Episode 5: Adrian Tomine discusses his "...
A VIDEO REVIEW by Clara Mokri. ...
Cecil Castellucci talks to LARB about reading and writing Young Adult fiction, and about the very good advice she got from ...
Clara Mokri, one of our student correspondents, on the book and the film. ...
“Genesis 2.0” is a panoramic master class in the strange unmodernity of modern science....
Gregg LaGambina talks to director Christian Petzold about his new film, "Transit."...
“Peele wants to make clear just how long a nation can delude itself about what’s real.” Sarah Wasserman and Kinohi Nishikawa review “Us.”...
Nathan Goldman reviews Kata Gellen’s “Kafka and Noise: The Discovery of Cinematic Sound in Literary Modernism.”...