Partly Truth, Partly Fiction: 2019 Cinema Revisits the Manson FamilyChloe Lizotte
Chloe Lizotte considers the Manson depictions from the summer of 2019, asking what contradictions of representation and historical memory they share.
Leslie Kendall Dye views Hulu's series, The Act, through the lens of motherhood, daughterhood, and inter-generational trauma.
Sophia Stewart finds a lot to like in “I Like to Watch: Arguing My Way Through the TV Revolution” by Emily Nussbaum.
Anastasia Berg considers confession and confessors from Saint Augustine to Fyodor Dostoevsky to Phoebe Waller-Bridge's "Fleabag."
Peli Grietzer considers the rallying murmur of Russian Doll's revolutionary representation of high-functioning mental illness.