“Within Our Walls”: The Theater of War’s Production of Aeschylus’s “The Suppliants”
Rachel Hadas appreciates Theater of War’s production of Aeschylus’s “The Suppliants,” featuring Ukrainian actors.
Rachel Hadas appreciates Theater of War’s production of Aeschylus’s “The Suppliants,” featuring Ukrainian actors.
Rachel Hadas appreciates Theater of War’s production of Aeschylus’s “The Suppliants,” featuring Ukrainian actors.
Rachel Hadas considers three recently released poetry anthologies.
Rachel Hadas appreciates the urgent concoctions of “Thorny,” a collection of poems by Judith Baumel.
Rachel Hadas appreciates the urgent concoctions of “Thorny,” a collection of poems by Judith Baumel.
Rachel Hadas hearkens to “p e e p,” an Anthony Hecht Poetry Prize-winning collection by Danielle Blau.
Rachel Hadas hearkens to “p e e p,” an Anthony Hecht Poetry Prize-winning collection by Danielle Blau.
Rachel Hadas finds herself in “The Clearing” by Allison Adair.
Rachel Hadas reviews “Improvisation Without Accompaniment” by Matt Morton.
Rachel Hadas reviews Mary Jo Salter’s “The Surveyors.”
Rachel Hadas considers “No Way Out But Through” by Lynne Sharon Schwartz.