Martin Scorsese’s Late Style
Scout Tafoya contemplates “The Irishman” and the late style of Martin Scorsese.
Scout Tafoya contemplates “The Irishman” and the late style of Martin Scorsese.
Scout Tafoya indicts the category of “elevated horror,” with a particular emphasis on writer-director Ari Aster’s latest, “Midsommar.”
"Roma" is a movie made to appease the ruling class: fawning in its praise of power, it dead-ends at an image that literally deifies servitude.
“Suspiria” casts its arms up in praise and its eyes toward the dirt, feeling unworthy of the artists whose name it moans in worship.